Only on the stage of an empty theater, an author and his wife clash: the scene and the life end up getting confused.

Jacques Leduc directed and co-scripted (with Jacques Marcotte) this Canadian-French co-production, a drama about an aging Montreal woman, Caroline (Annie Girardot), in her 60s and contemplating impending death. She destroys old correspondence, cleans her apartment by putting furniture in the street, and looks back on her life (as revealed via flashbacks and a film crew interviewing her daughters). Caroline's brief marriage to an Englishman gave her one daughter, successful businesswoman Rachel (Domini Blythe), and an affair with a rebel in the Congo resulted in her other daughter Myriam (Sheila Rose). Further memories rise to the surface when Caroline joins her long-time friend Maureen (France Castel) for a black-tie reception where their community work in Africa brings them an Order of Canada award.

This document proposes an immersion in the French society of the 60s and 70s and in the youth of the time with the testimonies and confidences of Sheila, Salvatore Adamo, Antoine, Hervé Vilard, Michel Fugain, Nicoletta, Michel Jonasz, Laurent Voulzy and the photographer Tony Frank. They tell with hindsight and humor, their beginnings in the 60s and 70s, and before becoming idols. It is also an opportunity to leaf through the pages of the successful magazines of the time "Salut les copains" and "Mademoiselle Age tendre". Created by Daniel Filipacchi, they highlighted the idols of the moment, music, fashion, sexuality, consumer objects and questions about society.

暂无英文版的简介，请添加内容帮助我们完善数据库。

We take him for someone else, a Mr. Schmitt. And one evening, at dinner, he and his wife, played by Valérie Bonneton, realize that their apartment has changed, that their business is not theirs. The play is about the perception of oneself. I love the absurd universe of its author, Sébastien Thiéry.

Maud married the banker Dumont mainly out of interest. As her husband accumulates mistresses, Maud writes to her favorite author, Jean d'Agrève, who is actually a charming old lady who think it best to give the letter to her son. The latter pretends he is the author in order to meet Maud. They become friends. But Dumont is assassinated and the young man is somehow accused of the murder.

The concern of a group of people to avoid the sale of the Barcelona pension where they live is altered by the appearance of Dabashree, an Indian woman, and her 8-year-old son. The mysterious mission that Dabashree takes to Barcelona will awaken the curiosity of the inhabitants of the inn until an unexpected event will cause the woman to reveal her secret.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.